Best Practices for Content Curation for Nonprofits at Social Media for Nonprofits Conference

Source: bethkanter.org via Beth on Pinterest

 

On January 30th, I’m speaking at the Social Media for Nonprofits in New York City. (You can get a discount of $20 off the registration by entering the code “Beth” when you sign up although the discount only works on the more expensive tickets).    This year, since content curation, is a social media competency that I’m focusing  in my own learning and teaching , I’ll be doing a conversational presentation on the topic.   Robin Good, one of the best content curators on the planet, will join me via skype  from Italy.   In preparation,  I’m doing a pre-recorded skype interview with Robin as a back up for a live interview.   As is my presenting style, this will be an interactive session.

Here’s why I think content curation, especially the practice, is very important for us to embrace in the nonprofit sector:

On an individual practice level, with more and more information being shared and published on the web,  the act of content curation can actually reduce our information overload.       I believe that sense-making both individually and in collaborative contexts at work or networked projects will be the key to navigating the digital information landscape and finding relevant content efficiently in the future.

I also think that 2012 will be the year of content curation.   It is becoming an essential component of your social and communications strategy, and we’ve already see  content curation deliver results on a number of levels as Shel Holtz points out and master curator Jan Gordon summarizes.   Content curation can provide visibility, but before you can reap results you have identify the opportunity — a campaign, announcement of a new program, or release of policy information –  to curate news and information around your topic.   Also, you need, as Jan Gordon points out in the skype video interview, to know the audience’s content consumption patterns and interests.

Once you have a strategy plan in place, the next step is to select your curator.    This may or may not be your social media manager or staff person.  They should know the topic area, but also understand practice of curation.   The secret to good curation is the selection of the best and most relevant material.  A curator needs to have superb social media monitoring and listening skills — that means knowing the right keywords on the topic and sources, agility with “aggregator” tools, and the daily discipline of foraging for the best content and evaluating your finds before sharing.   A content curator should never share something they have not actually read and thought about.   The practice of curation is being able to sift through daily whirlwind of tweets, blog posts, and other content streams quickly in order to pick the right pieces that create an accurate view of the subject matter.

Moreover, adding context is another curation skill.  Now that you have shifted through all this material, and selected the best.  What’s the context that you an share to help your audience understand it better. Content curation also includes engaging with your audience around the content shared, but adding value.    For example, commenting is about adding context or furthering the understanding of the topic or asking audience to contribute their knowledge to the conversation.

In an age of push-button sharing with tools like Pinterest, content curation is more than pushing a button!   It isn’t quickly slapping links together.  This issue has been a hot topic amongst master curators like Jan Gordon Robin Good, and Howard Rheingold.

Robin Good recently curated this excellent piece about the difference between content curation and aggregation with this  post by Ryan Skinner.  The two big takeaways for nonprofits who want to incorporate content curation into their strategy:

  • More than a link: This is the era of frictionless sharing, goddammit. Friction is a demonstration of care. Anyone can send a link. If you’re going to curate and share, add something. Some insight. Commentary. But no more than necessary.
  • Slap asses: If you’re going to curate someone’s content, you owe it to yourself and to them to be open about it. Preferably, it’s someone you follow and share comments with. And be sure to give them credit.

Jan Gordon points out why content curators need to be highly selective in what they share with the audiences.     She points us to this curated post from Stanford about using more care with the Twitter Retweet Button (the best example of what we mean by “push button sharing”).   Curation is more than sharing a link or putting together a link list.  It requires attention to detail and delivering value.

Now that curation tools, like Pinterest, are becoming more popular for nonprofits, good curation practice is more important than ever.    As I watch nonprofits embrace these tools enthusiastically, I feel it is important for us all to grasp what good curation is and use best practices – if we want get results.

The best way to learn these skills is study how the experts work.  So, with a little help from my colleagues on making video skype interviews,  I reached out master curator Jan Gordon.

 

Jan Gordon curates Content Curation, Social Business, and Beyond at Scoop.It.   I have been following her fpr six months. She curates several topics at Scoop.It, including her newly added “Pinterest Watch.” I have learned a lot of about the techniques of good curation just from observing her practice. If you browse through her collection, you’ll notice that she does just not aggregate links, but reads each one, adds commentary, and changes the headlines so it provides relevance for her audience.  She also acknowledges the original source as well as the work of other curators.

Jan practices what she preaches about engaging with your audience about the content your curate.  Here’s a great example of the dialogue that accompanies great curation on this article by master curator, Robin Good, “What Makes A Content Curator Great?

Q: If you are just starting out, what is your recommendation for beginners?

Tell the right the story with content you are collecting so that you audience finds it relevant or places of connection. You need a deep understanding of what content meets their needs.

Understand your audiences content consumption habits – where they look for information, what format they want, and when. Know how to share in those areas.

Q: What is your best time saving tip?

Best time saving tip is to find the best aggregation tool (a tool that searches the web based on keywords and pulls in the content that you’re looking for). Bundlepost is my perferred aggregation tool. It is very important because you could spend your entire day searching for content in the wrong places. You want to find the good stuff quickly and aggregation tools help. You want to spend your time sharing your content when your audience is in the process of consuming it. It is also important to spend time engaging with your audience arond the content so they better understand the context. Curation tools like Scoop.It and others help you do that.

Is your nonprofit embracing content curation as part of its content strategy?    Are you using best practices or are just slapping links together?

SOPA Strike: 12 Hour Internet Blackout on Jan. 18th To Call Attention to US Bill That Threatens Open Internet

Source: globalvoicesonline.org via Beth on Pinterest

 

 

 

United States lawmakers are considering two bills, the Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA), that post a  threat to the openness of the web around the Globe.  In response, many web sites are going on strike.   Sites includes  WikipediaReddit,  BoingBoing, and Global Voices are “going dark” and will black out the Global Voices Advocacy site for 12 hours on January 18 beginning at 8 am.  Other sites will provides more information about the proposed bills and a link to a send an email to lawmakers.

Global Voices has issued a statement explaining why they are supporting this Internet strike.

We are an international volunteer community dedicated to amplifying citizen media from around the world. In the last six years, we’ve produced more than 75,000 posts that link to blogs and other citizen content for readers in over 20 languages. Our content is free to use, and free to share. We rely on the open Internet to carry out our mission, and on social media and citizen media websites that allow for simple publication and sharing of content. Platforms like WordPress, Wikipedia, Twitter, YouTube, Flickr, Reddit, Tumblr, and many other online media production communities host content on which we base much of our work.

The passage of SOPA and PIPA by the United States Congress and Senate would force social media platforms and other web sites that host user-generated content to pro-actively monitor and censor users to prevent them from posting words or images that may violate copyrights. It would raise the cost of participation on these sites for all users worldwide, and could force many social media projects to shut down, especially smaller websites and businesses.

We are concerned this law would will inflict broad damage on the work of digital activists living under repressive regimes, as well as restrict basic speech freedoms around the world. Current copyright laws are occasionally misused in the U.S, and can result in de facto speech restrictions. In countries with less independent judicial systems, abuse of copyright law to repress activism is both simple and frequent.

 

 

Source: flickr.com via Beth on Pinterest

 

According to Global Voices, even though the current version of SOPA was put indefinitely on hold this week, PIPA, the Senate version of the bill, is still alive. And the issues and forces that are driving the passage of a law are still at play.   Global Voices, co-founder, Ethan Zuckerman co-authored this post with Joi Ito to explain why it is important to call attention to this bill on January 18th with the planned Internet strike.

Last month, Jim Fruchterman, of Benetech, shared this guest post, “Why I’m Scared of the SOPA Bill,” that explains  how the bill could major problems for nonprofits as well.

Source: Uploaded by user via Beth on Pinterest

I put together this pinterest board that includes additional information about the bills and the various protests and actions that are taking place tomorrow and this  infographic explains the issues with the bill.

Source: eef-etc.com via Beth on Pinterest

 

 

How the Strike Works

Sites are striking in all different ways, but they are united by sending site visitors to this site to send a message about the bill.     Some web sites are going dark for the 12 hours my inserting this  HTML.   You can find lots of other tools to help do a strike:   Zachary Johnson’s blackout page,  ProtestSOPA.org,  CloudFlare’s Stop Censorship app, and SOPA Strike WordPress Plugin.    Like other Internet protests, they are asking people who want to participate by tweeting about the strike using the hashtag #sopastrike.    They are asking supporters to go to Blackout SOPA to add ‘STOP SOPA’ to your Twitter image and post this SOPA Strike page to your Facebook account by clicking here.    They also want you to them to tell everyone about the strike and direct them to this site to send an email.

 

Does Your Nonprofit Need Legal Counsel About Using Social Media?

Source: amazon.com via Beth on Pinterest

 

 

Over the past couple of years as I’ve guided nonprofits in preparing their social media policies or when I speak,  I get asked questions that are more legal issues than about using social media.   Here’s a sampling:

  • Our organization does advocacy around some policy issues.  How do the rules on lobbying play into our social media strategy?    What if we’re asking people to take action on Facebook, does that constitute lobbying?  What do we need to be do to protect our 501-c3 status?
  • We run a social service agency that provides counselling to people.   What if people ask for referrals or help on our Facebook page?   How do we respond without creating any -potential liability for our organization?
  • One of my employees has asked me to write a recommendation on LinkedIn,  if they were fired – could our organization be sued?
  • What do we need to understand about copyrighted material and our content strategy?
  • Our organization runs a youth programs kids under 18,  what if the kids want to friend the teachers on Facebook? Can we post their photos on Facebook or our Web Site?   What are the legal issues?
  • When should our organization consult a lawyer when we have concerns about our organization’s social media usage?

First, let me clear.  I’m not a lawyer nor do I play on television.   When I get asked this question,  I point people to resources with this disclaimer:  “CYA – Consult Your Attorney!”

Now, I have another great resource to share,   Good Counsel:  Meeting the Legal Needs of Nonprofits by Lesley Rosenthal, the astute General Counsel of Lincoln Center for the Performing Arts.   It is an thorough guide for the most common legal, governance, and fundraising compliance issues facing nonprofits.     Her writing style is less lawyerly, and well, human.   The book is filled with stories, practical resources, and tools.      The book is written for staff and board members.      While the advice in the book does not replace an attorney,  having this on your reference desk can help you be more efficient your attorney’s time because you’ll come to meetings educated.

The chapter about communications meets legal covers trademark review, third-party rights clearance, consumer regulatory compliance , and general review of communications strategies.     The points related to online tactics include such items as a web site privacy policy, sweepstakes, other privacy considerations such as HIPPA, and social media sites.       Rosenthal educates about these laws and the implications for nonprofits in pretty clear langauage and points out that these laws apply to social media sites.  She also covers the role of counsel if the organization finds itself thrown into a crisis communications situation where there is unflattering media attention or a “twitter storm.”

There is an entire chapter devoted to the limits on nonprofit organizations’ political activities as we know that 501c3 organizations are strictly prohibited from intervening or participating in political campaigns.  However,  what is or what isn’t permissible isn’t always clear.   The chapter shares some examples what is permissible and what isn’t permissible political activities.   It also describes what lobbying is and summarizes what record keeping, registrations, and disclosures are needed.

Each chapter of the book ends with some focus questions and checklist for a work plan.   The questions for this chapter are useful to help you identify specific activities or examples from your organization that you are not sure about and to share them with your legal counsel.

  • What kinds of political activity must a 501c3 organization avoid altogether?
  • What might happen if a 501c3 organization endorses or opposes a political candidate?  Cite a case example.
  • What are some politically related activities are permitted to undertake?
  • What steps can a nonprofit staff take to ensure that their personal political activities are not ascribed to the organization?
  • What is lobbying?
  • How do lobbying rules differ from rules of political campaigns?
  • How much lobbying may a 501c3 do?
  • What disclosure are required?
  • What are our state’s registration requirements for nonprofits lobbying activities?

A check list to work through with your legal counsel:

1.)  Review policies and practices for compliance with the absolute ban on intervening in political campaigns
2.)  Review lobbying activities to ensure it complies with laws (Public policy issues and limited part of organization’s activity)
3.)  Check bylaws for provisions regarding lobbying activity
4.)  Determine compliance with record keeping and registration requirements
5.)  Determine compliance with federal, state, and local reporting requirements and Form 990 disclosures
6.)  Find out whether organization has any significant history of regulatory action
7.)  Find out whether the organization has made a 501 h election
8.) Assess whether planned or desired political activities suggest a change in corporate form, spinoff, or establishment of sub-section 501c4 entity.

While not every activity that bears on politics or government counts as lobbying, the chapter notes that there is a lot of uncertainty in this area and many shades of gray.   Also, the penalties can be severe for 501 (c) (3) organizations that cross the line.     The book emphasizes this point:   If your organization has questions or is unsure,  consult with qualified legal counsel!

The book covers much more than legal issues related to your organization’s communications strategy.  It covers:  contracts, intellectual property, fundraising, financial disclosure, human resources, operations, facilities management, and political activities.   All in all, a useful reference to help you prepare working with your organization’s counsel.

What resources has your organization used to become educated about legal matters, social media, and your nonprofit?

Additional Resources:

Influencing Public Policy in the Digital Age by the Alliance of Justice
Friends, Tweets, and Links:  IRS Treatment of Social Media Activities by 501c3 Organizations
Social Media Policy Resources (includes links to legal issues)

Honoring Martin Luther King, Jr Today: Inspiration from Pinboard

Source: Uploaded by user via Beth on Pinterest

 

The newest social media darling is Pinterest, a platform that nonprofits can use to curate compelling visual content.    Pinterest, with its ease of use and the pleasing beautiful sea of visuals, is the perfect place to curate inspiration for Martin Luther King, Jr. Day.

Like Whitney Friedlander, I decided to mark MLK Day holiday by searching and curating  some inspiring images that link to great content about one of this country’s greatest leaders.   Here’s my complete  MLK pinboard and selected ways to mark to the day in Dr. King’s honor:

 

1.   Listen to his “I Have A Dream Speech”

You can listen to it on YouTube or read the full text here.  Or read and listen to a reflection by his speech writer on NPR or this visual analysis of the speech by Nancy Duarte.   Or like Simon Mainwaring, you can think about what his words mean for us today.



2.  Tweet or Text his Quotes

Dr. King has many inspiring quotes.    For a collection of quotes, see MLK Online.   What’s your favorite?   Mine is here:

“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.”

 

And a reminder from Nancy White that small gestures or small steps can lead to big ideas.

Source: twitter.com via Lawrence on Pinterest

Source: google.com via Beth on Pinterest

 

3. Google Doodle

Like commemorative postage stamps, Google has been honoring MLK Day with a Doodle since 2003.


Source: facebook.com via Beth on Pinterest

 

4.   MLK Day of Service

While some may be protesting today, others are giving service to their community as part of the MLK Day of Service Dr. Martin Luther King Jr. once said, “Life’s most persistent and urgent question is: ‘What are you doing for others?’”   Each year, Americans across the country answer that question by coming together on the King Holiday to serve their neighbors and communities.   The MLK Day of Service is a part of United We Serve, the President’s national call to service initiative. It calls for Americans from all walks of life to work together to provide solutions to our most pressing national problems.   (Unfortunately, you can add Facebook content to Pinterest directly, but the work around is to make a screen capture and add the link manually.)


Source: occupythedream.org via Beth on Pinterest

5.  Occupy the Dream

Some people may be spending this day off doing service to their community, but others may be protesting.  Occupy the Dream is a Occupy protest on federal reserves in different cities.  More here from the Huffington Post

 

Source: handsonblog.org via Beth on Pinterest

 

 

 

6.  MLK Day Infographic

A celebration of MLK Day on Pinterest would not be complete without an infographic. With a little bit of searching, I found a fabulous one on the Hands On Blog.

How are you celebrating the life and work of Dr. King?

Are Crowd Funding Platforms the New Patrons of Independent Media?

Note from Beth: Over five years ago, I connected with Sam Mayfield, an independent media maker,  through my blog.  In 2008,  she asked for advice about raising money to go to Africa to help support the first community access television station opening in Ghana.   At that time she made and raised $2,000 using Chipin, using the case study I had documented where I raised money to send a young Cambodian women to college.  This was the very beginning of what we’re calling crowd funding or social fundraising.      Will a networked approach to making and funding documentaries, particularly those that are about social change issues become the norm in our connected world?    Vince Stehle thinks so as he explained in this guest post about Gasland.   And, this month, Sam is raising money to support a new documentary called Wisconsin Rising on the kickstarter platform.   I invited her to share her experience in crowd funding.

A Guest Post by Sam Mayfield

When I think of story telling, I think of books. The Little Golden books from my childhood, non-fiction books that revolutionized my perspective of the world and novels that I rarely take the luxury of reading. The art of storytelling though, and documenting an event or a slice of time is, of course, not restricted to bound pages. Stories surround us on the radio, in newspapers, in our music boxes, in short web videos and on large screens in movie theatres. I am a documentary filmmaker and video journalist, and I think of my work as a form of story telling and documenting.  Some of the tools needed to do this work are obvious: a camera, microphone, headphones, tripod, laptop, and maybe a light. As an independent producer, I can tell you that these are merely a fraction of the tools that one needs in order to properly document and later tell a story. Social media has become an important tool for me in storytelling and, in particular, helping to finance my work. I am currently raising funds for a story that I believe needs to be told about the 2011 people’s uprising in Madison, Wisconsin.

In the months of February and March, 2011, in Madison, Wisconsin, we saw thousands upon thousands of people occupying the Wisconsin State Capitol building. The people’s response to Governor Scott Walker’s announcement of his controversial Budget Repair Bill was historic: a prime space for a storyteller, and documentarian.

As a freelance video journalist, I was asked to go to Madison on assignment for the progressive media outlet The Uptake. When I got on the ground in Madison, I checked in to my hotel and headed straight for the capital. I saw for myself that history was unfolding in front of me.  Thousands of people were in the streets; people carrying political signs surrounded the statehouse, and inside the capital building itself, thunderous sounds of chanting and singing filled the halls and bounced off the marble. This was a little slice of heaven for someone who appreciates the value of people acting collectively and standing up to the bully of injustice.

My background is in community media. Before branching off to work as an independent producer, I worked for five years full time at CCTV government access television in Burlington, Vermont, and before that I worked with community radio and community television in college. Rooting myself in community media taught me the value of covering a story thoroughly. We do not swoop in to get the hot sexy moments at an event and then swoop out to our next story. We cover an issue from beginning to end. Some call it boring. I call it thorough. Admittedly, I am a sucker for municipal government and find municipal meetings interesting. I’m ok with that.
Telling stories independently and without the backing of major media outlets or a major film company is what separates independent freelancers / filmmakers from the rest of the storytellers. We scrape it together. Our stories come from our heart. Why else would we put ourselves out there to live on the dimes we make per story?
Social media has provided a unique platform for independent producers to get their stories out and to raise money for their work.  In 2008, I raised money to go to Africa to help support the first community access television station opening in Ghana. At that time I made a blog and raised $2,000 using Chipin. (Thanks Beth for helping shepherd me through that learning curve). Now, fast forward to 2012. I have a blog, a website, a twitter account, a facebook page, a reddit account and we recently launched a Kickstarter campaign.
We are currently trying to raise $40,000 of our $200,000 budget through Kickstarter, the online fundraising platform that facilitates grassroots investment. We set a target goal and must raise that amount or lose all pledged funds by the set deadline of 12 p.m., January 21.  If we are successful, we’ll join over 15,000 artists, filmmakers, activists, and entrepreneurs who have collectively raised over $125 million using this innovative “crowd-funding” model.

Times have changed and so have the tools, but the need is the same. Dollars help make independent projects possible.